Mongolian Calligraphy
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Mongolian Calligraphy |
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Chinggis
Khaan’s stele
/1224-1225/ |
The
Classic Mongolian script written from the top downwards and in clockwise
turns and has a classic vertical direction which expresses the almost
optimal movement of handwriting due to the theory of probability. The
Chinggis Khaan’s stele (inscribed Monument) which was writing around
1224 is an ancient memento, a memory at the same time as well as a
monument and a very rare subject of research and studies regarding the
Mongolian Calligraphy. On the Stone Sutra Chinggis Khaan’s stele one can
observe the relations of the sky and the Earth, the row supporting special
principle fo letters and words and the subject of respect and admiration.
The artistry peculiarity, different writing style and forms like print
style, hand written, folded etc. and the kind of usage of bamboo pen and
stamps were studied continuously, spreaded and developed further. In this
modern time promotion of not only the calligraphy research and study but
also to development of the Mongolian Calligraphy in accordance with the
oriental philosophy, agitating music, beautiful poetry, art painting etc.
is extremely necessary as well as the use of this special art of different
consumer goods in order to make clear the national peculiar tradition. |
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| May the golden books, Sutra
and Tantras, the Mongolian classic scripts spirit of our famous ancestors
transmitted and handed down through hundreds of years to the present era
flourish and blossom forever like the sun of the day and the moon of the
night under the power of the eternal heaven. |
Chinggis
Khaan's stamp |
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Antiques
of Mongolian Calligraphy |
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The letter to
then French king written in 1289 with the classic Mongolian script, the
last part of the letter sent from Arguun Khaan to
the king Philip written with ancient patterns. |
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The pages of
this ancient sutra found in Turfan witness high cultural level of the
ancient letters, books and
formal documents. |
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Calligraphy of
poem “White cloud” composed and brush-written by famous author,
scholar, painter and calligraphist Vanchinbal Injinash in his childhood. |
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The
folded type of Mongolian script has circled, square and spiral patterns. |
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S.Shagj,
a famed lexicographist of Mongolian language was a talented
painter. He lettered ‘’the story of Green Tara” of about 6000 words
on a sheet of paper with 5sm:5sm size with a different color between
lines. The story would be a 12 page book if written in common format. |
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A wonderful
miniature has being preserved in the invaluable fund of Mongolian State
Central Library. The first constitution of |
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Speedily brush
lettering of Mongolian script by O.Jamyan, scholar and founder of the |
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Short-hand
lettering of a part from
“Great sutra” by celebrated linguist, academician Byamba Rinchen.
Mongolian script has a unique feature for shrinking and shorthand writing.
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Poem
“Mongolian language” by academician Byamba Rinchen lettered by Jalair
Dovdon Batbayar under the calligraphic name “Light of wisdom” |
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A
page of a sutra for learning of careful brush writing of Mongolian script
alphabet. Having learnt the basic patterns and careful brush writing one
would l earn other patterns. |
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The
letters of sacred books of the great ancestors who found the art of
calligraphy will flourish and blossom like the sun of the day and moon of
the night under the power of eternal heaven.
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